The show is similarly well-paced musically, dishing out the hits at strategic moments and compensating for her relatively shallow catalog - just two albums, after all, and a handful of stray singles and features - by padding out the set with interludes, the above-mentioned spotlights and вЂњCold Heart,вЂќ her duet medley with Elton John. TheyвЂ™re broken up by unobtrusive, 3-4-minute dramatic pauses or spotlight performances by the dancers or the ace band led by musical director William Bowerman (which, unlike many pop shows, were actually audible over the frequent backing tapes). The choreography, led by Charm LaвЂ™Donna (whoвЂ™s also done great work for Rosalia, Selena Gomez and Kendrick Lamar), is truly next level.ДЄ post shared by Jem Aswad 80-odd-minute show is essentially divided into chapters that are themed by DuaвЂ™s four costume changes - a fluorescent yellow-green bodysuit, a silver-glitter number with matching boots, a black bodysuit with pink tights and black sneakers, and finally a skin-tight, semi-sheer Cher-like outfit. Dancing has never been DuaвЂ™s greatest strength so the showвЂ™s design wisely makes her the strutting, statuesque center - emphasizing her real power points, her voice and presence - while the dancers orbit around her in an ever-morphing, multi-limbed swarm thatвЂ™s both exhilarating and exhausting to watch.

ItвЂ™s a real pop-diva arena concert, with flashes of past Madonna, Beyonce, Katy Perry and especially Lady Gaga tours - thereвЂ™s a giant video screen, lasers, a catwalk into the crowd, a confetti cannon, Dua levitating over the audience in a platform suspended from the ceiling (youвЂ™ll never guess for which song), and most importantly of all, a gang of incredible dancers who are both scenery and frontline, architecture and crowd-motivators, an infectious and effusive supporting cast who work every corner of the stage.

Some two years in the making, the show lives up to the moment.

Pretty ricky get a little closer song